Funny and silly and incurably romantic. Laissez les bons temps rouler!
There’s major meddling from beyond the grave when a Baltimore matriarch’s bequest comes with conditions—beginning with a trip to New Orleans.
By the time you’ve read Chapter 1, “The Chicken of Bereavement,” and Chapter 2, “Where There’s a Will, There’s a—Hey, What the Hell?” novelist Streeter has made it clear that the boo-hooing over Olivia Hollis’ passing is going to be very limited. (After all, this is the writer whose 2020 memoir of her husband’s death was titled Black Widow: A Sad-Funny Journey Through Grief for People Who Normally Avoid Books With Words Like “Journey” in the Title.) When Olivia’s sister, children, granddaughters, and great-granddaughter gather in her lawyer’s office for the reading of her will, they learn that she has set aside $15,000 for four of them to take a group trip to New Orleans—immediately if not sooner. Really? There are some strained relationships among the group; Olivia’s sister, Aunt Mona, who struck it rich on the West Coast and left them all behind, is practically a stranger. But if they don’t go, the lawyer explains, nobody gets a dime and the entire estate goes to the dog shelter. So before they know it, they’re installed at a gorgeous bed-and-breakfast called Hubbard Mansion, where Olivia’s detailed daily instructions and itinerary are read to them over breakfast by their host, Mr. Don. And from the moment Aunt Mona gets a strange look on her face when she’s introduced to the trumpet player on their first-night jazz cruise, the hidden agenda of this trip begins to emerge. As we’ve learned early on, both Aunt Mona and her great-niece, Felicia, have romances in their past that have never been completely forgotten, at least not by that sly old dog Olivia. Beignets, streetcars, alligator sightings, and cemetery visits are liberally interspersed with another type of educational opportunity for Felicia’s 16-year-old daughter: “April had never seen old people flirt before. It was fascinating. They went from divorce to death to ‘How you doing?’ in three sentences.”
Funny and silly and incurably romantic. Laissez les bons temps rouler!Pub Date: Oct. 13, 2026
ISBN: 9781662542077
Page Count: 235
Publisher: Lake Union Publishing
Review Posted Online: Aug. 31, 2026
Kirkus Reviews Issue: Oct. 1, 2026
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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