A love-filled eulogy to a beloved husband and the special times the couple shared before he died.
A memoir about how the author coped with her husband’s sudden death.
In her seriocomic debut, Palm Beach Post entertainment columnist Streeter pays tribute to her husband, Scott, by sharing detailed stories about their life together and her many struggles dealing with his death. Because Scott was white and Jewish and the author is black and Baptist, religion, racism, integration, and acceptance are significant topics throughout the narrative. For the first few months after his death, Streeter was overcome by grief as she had to pick Scott’s coffin (a “lovely, Jewish-law-compliant pine box”), choose the appropriate spot to bury him and which dress to wear to the funeral, and, most importantly, figure out how to tell their son, almost-2-year-old Brooks, whose adoption was nearly complete, that “Daddy’s not actually working late.” The author also shares her insecurities about weight and overeating, the intense exercise program she endured to get back in shape after binging, how she drank to avoid the pain, and the necessity of relying on her mother, who had also recently lost her husband. Although Streeter’s humor occasionally feels forced, her grief, lucidly portrayed, is tangible, and it’s clear writing about her difficult experiences proved cathartic to her and to those who know her and Scott and their relationship. The most moving part of the book, divided into chapters such as “Grief Cake,” “Healing: It’s Like Putting Eyeliner on a Baby,” and “You’re Gonna Make it After All,” concerns the author’s continued hopes and fears regarding the final adoption of their son, a narrative thread that culminates in a heartwarming verdict by the judge. Her resilience in the face of devastating loss is commendable, and while the book isn’t a top-shelf memoir about grief, Streeter’s candid exploration will resonate with those who have dealt with similar circumstances.
A love-filled eulogy to a beloved husband and the special times the couple shared before he died.Pub Date: March 10, 2020
ISBN: 978-0-316-49071-9
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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