At once a charming exploration of small-town life and a realistically heartbreaking depiction of Alzheimer’s disease.
A 20-something takes over caring for her aging father and suspects he may be able to see the future.
Cricket Campbell is 26 but considers herself “essentially a larva.” She lives in New York City and works as an assistant at a company similar to Goop. Her father, Arthur, has Alzheimer’s disease and lives in a lake house in the Adirondacks, where her older sister, Nina, handles his care. When Nina is offered a postdoctoral position in Stockholm, she says it’s time to sell the house and move their father into a memory care facility. But Cricket, ready for a big change, decides this is the moment to step up. She quits her job and moves into the house to take over her dad’s care, even though she’s avoided the lake since she was a teenager because of a tragedy that fractured her relationship with her father. Arthur may not remember who Cricket is, but he’s oddly prescient, predicting the future on more than one occasion. As Cricket adjusts to being a caretaker and tries to find a source of income, Arthur (somewhat accidentally) becomes famous for his clairvoyance, at first locally and then on a much larger scale. Hoen deals with the harsh realities of Alzheimer’s while still creating an atmosphere that’s cozy and welcoming. As Cricket puts it, Alzheimer’s “has the capacity to be both devastating and hilarious, and those who witness it learn to live in limbo, because there’s nowhere else to live.” Cricket’s quarter-life crisis forces her to grow up, finally come out of her shell, and realize that there’s value in community and forgiveness. The lakeside town is reminiscent of Gilmore Girls, with a cast of quirky but well-meaning characters who pitch in to help Cricket and her father. Hoen delicately handles the slow-moving grief of Alzheimer’s as Arthur’s health declines. It’s especially moving to see Cricket realize that the love her father has for her can transcend his own limitations—and their past.
At once a charming exploration of small-town life and a realistically heartbreaking depiction of Alzheimer’s disease.Pub Date: Dec. 2, 2025
ISBN: 9781250276797
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Oct. 9, 2025
Kirkus Reviews Issue: Nov. 15, 2025
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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