An energetic if slightly by-the-numbers tale of true love and early basketball.
Love blooms at the dawn of basketball in Tosi’s screenplays.
The author presents the scripts for the first four episodes of an unproduced miniseries set on the East Coast of the U.S. in 1919, when the country was on the brink of Prohibition and the sport of basketball (still called “basket ball”) was unregulated, with games played in chicken-wire cages and players wearing knee pads (“They need them,” the script laconically informs readers). Five men play on each side, passing often but shooting seldom, with a stitched leather ball that grows increasingly deformed as each brutal game is played. A young man named Keagan plays for the Trents of Trenton, New Jersey, under the watchful eye of team booker Newt. Keagan is trying to save up enough cash to provide “passage money” to bring his mother and sister over from Ireland, but unbeknownst to him, Newt is conning the Trents by working both sides of the matches. When Keagan and his teammates take advantage of chaos erupting at a game and flee Newt’s control, they fall in with the Harlem Knights, a roaming all-Black basketball team led by a man named Winnie. At the same time, a young socialite named Maddy Lancaster is fleeing both an unwanted marriage arranged by her father and the consequences of having accidentally shot and killed a women’s basketball opponent of hers. When she also haphazardly falls in with the Knights, she experiences a new side of her sport and the beginnings of romantic attraction to Keagan. Tosi deftly leverages intriguing details about pre-professional basketball, and he skillfully orchestrates the double arcs of danger (Maddy pursued by her jilted fiancé; Keagan pursued by Newt). Not all of the jokes and comic moments land as well as one might hope (the funniest scenes by far feature the antics of a team manager called The Leprechaun), and neither Keagan nor Maddy emerge as particularly well-drawn characters over the course of the episodes. Still, the pacing is very well managed; readers will be hooked.
An energetic if slightly by-the-numbers tale of true love and early basketball.Pub Date: Sept. 15, 2026
ISBN: 9781954782235
Page Count: 360
Publisher: Dooney Press
Review Posted Online: Aug. 28, 2026
Review Program: Kirkus Indie
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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