The classic momentum of a sports narrative unfurls in unusually lyric and muscular language: a ferocious novel.
Over one hot July weekend at Bob's Boxing Palace in Reno, Nevada, eight young boxers fight to the finish.
Bullwinkel’s first novel, following the story collection Belly Up (2018), begins with a poster and a bracket for “The 12th Annual Women’s 18 & Under Daughters of America Cup at Bob’s Boxing Palace,” with first-round pairings and names that will become incantations as this unusual and striking novel unfolds. Artemis Victor v. Andi Taylor; Kate Heffer v. Rachel Doricko; Iggy Lang v. Izzy Lang; Rose Mueller v. Tanya Maw. Each match unfolds both in the physicality of the dusty ring and in the consciousnesses of the fighters, their coaches, parents, and other spectators in the tiny audience. There’s not a single line of dialogue in the book, but rather a hypnotically intense, God’s-eye narrative voice that describes the hits and misses of each round and plumbs the backstories of each boxer: One is haunted by a terrible experience as a lifeguard; one has developed a “weird hat” philosophy based on a rotting coonskin hat; one calms herself by reciting the digits of pi; two are cousins known as prodigies in their small hometown. The girls’ bodies are evoked just as memorably: One has a purple stain on her lip that has shaped her experiences since infancy; one has legs that look like “bundles of dry pasta covered in skin”; one has looped braids sticking out of her headgear, making droopy circles on her back. As each fighter advances, she takes the spirit of the girl she’s bested with her to the next round: “Usually, as a tournament progresses, there is a feeling of whittling, of a group of many reduced to a single champion, but here in Bob’s Boxing Palace, at the Daughters of America tournament, as each bout has been fought, there has been the feeling of accumulation.” For each young woman, Bullwinkel also conjures a life ahead, and these brilliantly imagined future selves add to the richness of the characterizations.
The classic momentum of a sports narrative unfurls in unusually lyric and muscular language: a ferocious novel.Pub Date: March 12, 2024
ISBN: 9780593654101
Page Count: 224
Publisher: Viking
Review Posted Online: Nov. 16, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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