Wonderful characters, Texas-sized helpings of wit and insight, and, believe it or not, a vision of post-partisan redemption.
An unknown West Texas cattle rancher is elected to the State House of Representatives and becomes a star.
The second novel from the Pulitzer Prize–winning journalist is totally different from his first, The End of October (2020), a thriller about bioterrorism that appeared right at the beginning of the Covid-19 pandemic. It is also dramatically better. Tapping into his prodigious knowledge of and affection for the state of Texas, Wright gives us a novel about politics and people that at its best recalls classics like The Gay Place by Billy Lee Brammer and the work of Larry McMurtry. It begins when a powerful lobbyist named L.D. Sparks—“a silver-haired cynic in a gray western-cut suit and handmade boots”—shows up at the funeral of a longtime Democratic state rep, hoping to find a Republican who can take the seat. That turns out to be Sonny Lamb, who, with his wife, Lola, is barely keeping their herd going through the drought; they aren’t having much luck expanding their own family, either. An Iraq vet with a checkered past, a currently incarcerated father, and no college degree, Sonny nonetheless has the heart of a hero, as we learn when he rushes into a burning barn to save a little girl’s horse. The novel moves nimbly and amusingly through the campaign and Sonny’s early days in Austin, with highlights including a feral-hog hunt and a fertility clinic debacle. When the newly elected Rep. Lamb chooses to follow his own lights rather than “dance with the one who brung [him],” he incites the ire of L.D. and his cabal, who immediately kick off plans for his ruin. Wright’s prose is full of original and funny formulations—one character has “a smirk where his smile should be”; small towns between San Antonio and El Paso “[cling] to the interstate like ticks on a dog”; an obnoxious catfish farmer–turned-politico is “the brains behind the QAnon caucus,” which is so dry it crackles. Just a few complaints: The sections about Sonny’s plan to convert the wastewater produced by fracking into a solution for the drought sometimes seem to be turning into New Yorker articles, and the storyline about Sonny and Lola’s marital troubles is not convincing.
Wonderful characters, Texas-sized helpings of wit and insight, and, believe it or not, a vision of post-partisan redemption.Pub Date: Sept. 19, 2023
ISBN: 9780593537374
Page Count: 336
Publisher: Knopf
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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