Fresh, funny, intelligent, and deeply satisfying.
Myers’ lively comic novel focuses on the raw passions of four women, not for men or each other—well, maybe those too—but mostly for the physical experience of archaeology, the grueling grunt work of a hot summer dig.
The dig in question takes place in Greece under the auspices of autocratic Dr. Charles Barton, from an unnamed university. Zara, Kara, Elise, and Patty arrive with different skills and expectations. Patty, a clueless undergraduate intern who knows nothing about archaeology, has become Barton’s spy and general whipping girl. Zara had a wonderful experience in Greece as an undergrad on the dig six years ago until she broke up with her grad student boyfriend, Gary, now a committed archaeologist. She’s drifted through various botched jobs and boyfriends ever since. Aware that Gary will be there, she joins this year’s dig on a desperate whim. But Gary is engaged to ambitious, high-strung perfectionist Kara, who was also on Zara’s first dig and now runs the site lab; she’s worried that her goal of a job at Sotheby’s could be derailed if she doesn’t find two missing discuses for which she’s responsible. Eccentric, independent 44-year-old Elise lacks academic credentials but is highly respected as an adept professional excavator. She and Kara blame each other for a loss suffered several years earlier, a small but valuable statue Elise found and Kara restored before it was supposedly destroyed by an earthquake. Is there a connection between the discuses and the statue? Maybe. Myers gives the angst-ridden, imperfect women entertainingly distinct voices and personalities. The men are fun too, both the appealing ones and the creeps. (And then there’s the voice of the buried.) Desires collide and relationships realign rapidly as the dig begins to go awry. Myers is adept at academic satire with a feminist bent and at unsentimental romance, but she really shines at bringing to life a working excavation: the smells, the grime, the exhaustion. And the exhilaration.
Fresh, funny, intelligent, and deeply satisfying.Pub Date: July 4, 2023
ISBN: 9780063304512
Page Count: 288
Publisher: HarperVia
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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