Even under pressure, sisterhood is powerful in this entertaining and well-crafted novel.
What happens to three adult sisters when they suddenly find out their father has a favorite?
The Fisher sisters—Alex, Nancy, and Eva—know everything about each other. Or maybe they know nothing. When they gather with their parents, Vivienne and Patrick, and some of their kids and significant others at a posh glass-walled vacation house in the British countryside, everything breaks down. Watching the sisters sort out their lives and put them back together is at the heart of this warm, funny, insightful novel. The book kicks off with what seems to be a near-disaster: As Patrick is taking photos of the sisters outdoors, a tree behind them starts to fall. In a moment, he rushes past Alex and Nancy to pull Eva out of danger. It’s shocking—like most parents, Patrick and Vivienne have always said they don’t have a favorite child. But it seems he does. Worse, the family doesn’t get to hash it out in private, because Eva’s teenage daughter Lucy caught the rescue on video, and of course it goes viral. The near miss turns out to be a disaster after all, cracking open the pleasant surfaces of the sisters’ lives. Alex, the oldest, has just had her third child at 45, and she’s struggling with exhaustion, with her stale marriage, and with a secret obsession with her first love, whom she stalks on social media like a teenager. Nancy, the middle sister, is frazzled by her job as a radiologist and by sharing custody of her young daughter, Georgie, with her jerk of an ex. Eva is the youngest and by far the richest; she invented a board game for her kid that turned into a bestseller. The vacation house is her treat, but money doesn’t solve everything. The narrative line is complex, moving back and forth in time and among the sisters and their mother, but Littlewood handles it skillfully. Her characters, flawed as they are, are engaging and relatable, and her sense of family dynamics captures all the old wounds, shifting hierarchies, inside jokes, and sturdy if skewed love the sisters share.
Even under pressure, sisterhood is powerful in this entertaining and well-crafted novel.Pub Date: June 24, 2025
ISBN: 9781250857118
Page Count: 320
Publisher: Henry Holt
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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