An impressive and surprising take on war-story tropes.
A doughboy makes a curious discovery at the front in this inventive metaphysical horror tale.
This novel by Kraus centers on Private Cyril Bagger, a U.S. soldier during World War I and the son of a bishop who died on the Lusitania; he’s taken his father’s Bible with him into the Army as a remembrance. He’s also a confidence man and shirker relegated to burial duty in the French countryside, which is fine with him: The work is grotesque (Kraus depicts wartime deaths in visceral detail) but keeps him from becoming a corpse himself. Alas, his commander has hand-picked him and four other “disreputable” soldiers for a suicide mission to rescue what sounds like an incessantly shrieking soldier. Cyril finds the source of the shrieking, which turns out to be—well, that’s tricky. Cyril sees her as a vaguely familiar woman, clothed in red and blue, bathed in bright light, and capable of magically rescuing him from the worst of German gunfire; members of his cohort see a mother, a former lover, and other women. So for the purposes of Kraus’ novel, the shrieker is a metaphor for the ways war stands in contrast to our deepest needs for care and safety. It’s a sweet sentiment, albeit one that Kraus coats in a lot of ugliness, particularly the seemingly endless human carnage. Kraus structures the novel as an extended run-on sentence (with paragraph breaks), giving the story a relentless and intense rhythm. As a veteran horror writer, he’s gifted at depictions of blood and guts and knows how to keep a story moving, but in its latter stages the novel is a philosophical one as well, concerned with humanity’s seemingly inborn need to wage war and what might counter it. The identity of the woman Cyril calls an angel is vague, but Kraus has a clear grasp on our worst impulses.
An impressive and surprising take on war-story tropes.Pub Date: July 29, 2025
ISBN: 9781668068458
Page Count: 304
Publisher: Atria
Review Posted Online: Dec. 20, 2025
SEEN & HEARD
BOOK TO SCREEN
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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