As much fun as you’ll ever have with middle-aged marriage and ecoterrorism.
When dinner at California’s fanciest restaurant turns into a hostage situation…
Oakley loves an unlikely premise, but she’s outdone herself in her sixth novel, reviving the ambitions of her failed-novelist heroine with a truly wild series of events. The book is set during a single evening at an ultra-high-end restaurant called La Fin du Monde, located on a California coastal cliff. Its “million-dollar view” is upstaged by its $8.4 million dessert, which includes a diamond bracelet “and has famously been ordered only once, by a New York Yankees player for his wife, the week after his sext messages with a Southwest flight attendant went viral.” (Funny, culturally clued-in asides are thick on the ground.) Jane and Dan end up celebrating their 19th anniversary at this palace of excess when he wins a voucher he thinks is for a free dinner but actually only entitles him to make a reservation. Sadly, Jane’s planning to ask him for a divorce, partly because of some texts she saw on his phone but more because she’s just so bored with her life. But the boredom’s about to be over. Dan and Jane are barely through their first course (claw-shaped seafood concoctions that look “like they harvested them out of Sigourney Weaver’s stomach”) when a bunch of people in masks carrying assault rifles pour into the dining room. “Jane is no gun expert, but she did research various military-grade weapons when she was writing her novel Tea Is for Terror, about an evil gang taking over a high-end teahouse in London and holding everyone hostage and oh dear God.” Yes, somehow the leader of the climate activists is one of the six people who read Jane’s novel—and the evening has many other surprises in store. Though the change in temperature of Jane and Dan’s marriage is not the biggest one, it’s nonetheless relatable and sweet. (Perhaps Oakley is celebrating the 24th anniversary of Ann Patchett’s Bel Canto, which also includes a love story? Fans of that book will enjoy the connection.)
As much fun as you’ll ever have with middle-aged marriage and ecoterrorism.Pub Date: March 11, 2025
ISBN: 9780593200827
Page Count: 368
Publisher: Berkley
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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