A collection of painfully honest and consistently empathetic glimpses of modern American soldiers in war and peace.
The lives of combat soldiers in America’s “forever wars.”
Glose adds his impressive voice to those of writers like Kevin Powers and Phil Klay who have produced powerful fiction about the experience of American soldiers fighting in the 21st-century wars in Iraq and Afghanistan. The 18 linked stories in this debut collection follow the fortunes of six members of a single platoon of paratroopers from the 82nd Airborne Division (in which Glose served during the 1991 Gulf War), some of whose members have experienced four tours of combat duty in four years. They gaze with an unblinking eye at the physical and emotional tolls exacted from soldiers who aren’t fighting for a great cause but instead “because it was their job, each man risking everything because he loved the man next to him. Simple as that.” The relentless fear that grips these men and their anxiety and nightmares only partially quelled by cocktails of prescription drugs when they return to a country that has little understanding of all they’ve sacrificed are recurring themes. Accounts from the war zone like “Dirge,” in which one character is killed by an IED and another sustains a disfiguring facial wound, or “The Dead Aren’t Allowed To Walk,” in which an avoidable friendly fire incident takes the life of a key member of the platoon, reveal the omnipresence of random sudden death or catastrophic injury. In settings that range from an upscale suburban neighborhood in Princeton, New Jersey (“Sacrifices”), to a seedy bar in Pensacola, Florida (“First Drunk Night Back”), Glose exposes painful truths about the devastation wreaked on these soldiers and the families that ached for their safe returns and now struggle to relate to them when they arrive home. Throughout, he makes no effort to conceal the harsh realities of these damaged lives.
A collection of painfully honest and consistently empathetic glimpses of modern American soldiers in war and peace.Pub Date: Aug. 2, 2022
ISBN: 978-1-2502-7988-0
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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