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UNLIKELY ANIMALS

An anthem for the boomerang generation.

An absurdist, laugh-out-loud family drama about intergenerational healing.

Never a truer word was spoken than when the ghostly inhabitants of the Maple Street cemetery in Everton, New Hampshire, who are the choruslike narrators of this novel, rationalize that “a good story doesn’t always follow an arrow.” In what begins as a slow-paced, meandering tale, Emma Starling, a natural healer and former golden girl of small-town Everton, drops out of medical school and moves back in with her parents. Her father, Clive, who's dying from a mysterious brain disease, is having hallucinations of animals while being haunted by the ghost of (real-life) local naturalist Ernest Harold Baynes. When Emma assumes legal guardianship over her rapidly deteriorating father, the two become embroiled in his dementia-induced obsession: a seemingly hopeless search for Emma’s childhood best friend, Crystal, a heroin addict who has been missing for almost six months. The first quarter of the book seems like a mess of disparate parts: What does the ghost of New Hampshire’s own Dr. Doolittle have to do with the opioid crisis, boomerang children, saintly healing powers, or a Westworld-esque hunting preserve for millionaires? But the reader’s patience is rewarded as Hartnett skillfully draws the string. This tragicomedy delivers as Clive takes a stab at adult parenting before dying and Emma navigates layers of ambiguous loss. Some plot twists feel a little more forced than others. However, the overall message—that any life lived, even just a few extra months of it, is a miracle rife with potential—is a balm for our challenging times.

An anthem for the boomerang generation.

Pub Date: April 12, 2022

ISBN: 978-0-593-16022-0

Page Count: 368

Publisher: Ballantine

Review Posted Online: Feb. 4, 2022

Kirkus Reviews Issue: March 1, 2022

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THE FRENCH ILLUSION

The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.

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  • New York Times Bestseller

What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.

When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”

The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.

Pub Date: Sept. 29, 2026

ISBN: 9780385550543

Page Count: 352

Publisher: Doubleday

Review Posted Online: Aug. 17, 2026

Kirkus Reviews Issue: Sept. 15, 2026

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PARTITA

Brilliant, affecting work from one of contemporary literature’s masters.

A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.

We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.

Brilliant, affecting work from one of contemporary literature’s masters.

Pub Date: Oct. 6, 2026

ISBN: 9780063577541

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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