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THE BURDEN OF MEMORY, THE MUSE OF FORGIVENESS

A disturbing moral dilemma is explored by the noted Nigerian writer. In the first and by far the weightiest of the three essays that make up this volume, Nobel laureate Soyinka (Art, Dialogue and Outrage, 1994, etc.) struggles with a dilemma: how should societies respond to the commission of despicable acts in public life? These can occur on a systemic level, such as slavery in the US or apartheid in South Africa, or through the hands of an individual tyrant such as the current ruler of Nigeria, Sanni Abacha. In either case, forgiveness, a salve on the wounds to promote healing, would seem to be the morally superior option, even if such generosity is beyond the capabilities of most people. But is excusing morally outrageous behavior moral or simply foolish? Perhaps healing requires revenge, an excising of the cancer. Are we to imagine, for example, a repentant Pol Pot walking the streets like any other man, freed by the forgiveness of those whom he did not manage to kill? Soyinka identifies forgiveness as “a value far more humanly exacting than vengeance” yet cannot swallow the proposition that it will, by itself, suffice. Something is missing from a process which absolves the perpetrators of tyranny so completely that they assume the same moral or civil status as those whose conduct is crime-free. Soyinka’s answer is reparations, a paying back from victimizer to victim, but even this sits somewhat uneasily. As in the remaining essays focusing on negritude, there is a sense that the playwright in Soyinka is building layers of thought not to resolve the issue, but to illustrate its unresolvability. No definitive analysis proving that reparations will solve the moral dilemma is to be found here, and perhaps that is part of the cost of despicable acts: once committed, there are no longer answers with which we should be completely comfortable. Powerful stuff. (For another look at these questions, see Martha Minow, Between Vengeance and Forgiveness, p. 1438.)

Pub Date: Nov. 1, 1998

ISBN: 0-19-512204-4

Page Count: 144

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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