by Whitney Stewart ; illustrated by Sally Rippin ‧ RELEASE DATE: March 1, 2015
Keep this in mind as a possible introduction to meditation for children.
This primer on visualization techniques uses a monkey and an elephant to introduce children to mindfulness and meditation.
There’s no story in this Australian import. Instead, an introduction directly addresses readers, describing meditation as a technique for managing one’s feelings. Opening text counsels, “Meditation won’t take away your problems, but it will help you deal with them,” and appears alongside an illustration of an elephant relaxing in a bathtub and imagining “feelings pop[ping] up and disappear[ing] like soap bubbles.” This prescriptive approach to meditation seems a bit reductive, but ensuing spreads that prompt specific visualization exercises move beyond using meditation to help one “deal with” problems. Throughout, the elephant can be seen meditating to relax, achieve focus, feel secure and so on. The monkey appears in some spreads as part of the elephant’s visualization exercises. A closing section, “Questions about Meditation,” advises readers about what to do if they feel bored, wiggly, sleepy, scared or frustrated, or if they have sore legs when they try to meditate. Ultimately, this will work best as a guide for an adult to use with a child in specific scenarios that might call for mindfulness and meditation.
Keep this in mind as a possible introduction to meditation for children. (Informational picture book. 4-8)Pub Date: March 1, 2015
ISBN: 978-0-8075-4908-7
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Whitney Stewart ; illustrated by Rocio Alejandro ; translated by María Perez
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Maudie Powell-Tuck ; illustrated by Mini Grey ‧ RELEASE DATE: July 7, 2026
A top-grade creepy/funny addition to the spooky-picture-book canon.
Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?
“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.
A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)Pub Date: July 7, 2026
ISBN: 9781664300972
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
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