Mosley, whose mystery novels (All I Did Was Shoot My Man, 2012, etc.) have won deserved acclaim, is here at his most...
The creator of Easy Rawlins, whose ambition keeps sending him back to apocalyptic sci-fi scenarios with decidedly mixed results (The Wave, 2006, etc.), presents a pair of visionary novellas mainly designed to provide their characters with occasions to hector each other and the gentle reader with speechifying.
Stepping Stone, the more interesting of these two tales, begins in quotidian reality before taking leave of it. Truman Pope, long ago identified as suffering from a learning disability, finds his uneventful tenure as mailroom manager at the firm of Higgenbothem, Brightend and Hoad disrupted by the apparition of a young woman in an ecru pantsuit whom nobody else can see. Minerva, as she calls herself, opens Truman’s eyes to soaring new vistas, including the good news (Truman is God) and the bad (the coming of “the worst plague in the history of the human race”), before the millennial conclusion. Love Machine begins more forthrightly with technobureaucrat Lois Kim testing the Datascriber, which top neurophysicist Dr. Marchant Lewis has produced for her bosses at InterCybernetics International, and then realizing that she’s given Lewis access to her memories and desires and opened herself in turn to the Co-Mind Lewis shares with Marie, a former employee he once threw across the workspace and lamed, and three other associates, one of whom, doubling as a coyote, chides her: “[Y]ou are still thinking as one person who is alone in the cold embrace of uncaring, inert matter.” After some initial resistance, Lois quickly adjusts to her new status and prepares to forge her comrades into the new vanguard of humanity.
Mosley, whose mystery novels (All I Did Was Shoot My Man, 2012, etc.) have won deserved acclaim, is here at his most declamatory, essayistic and oracular.Pub Date: April 2, 2013
ISBN: 978-0-7653-3010-9
Page Count: 288
Publisher: Tor
Review Posted Online: Feb. 9, 2013
Kirkus Reviews Issue: March 1, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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