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HIDE AND SEEK, NUTS TO EAT

A Saturday-morning-cartoon introduction to squirrels and scatter hoarding.

Follow along as a squirrel gathers and hides food for the winter, finds and shares it during the wintry weather, and “plants” food for future winters.

The changing leaves and the narrator’s thickening coat prompt the squirrel to start caching food. Acorns, maple seeds, hazelnuts, tulip bulbs, some berries, and just a pinch of birdseed (“Birds need food for winter too”) get gathered and buried in many different hiding spots for the narrator and the other squirrels to later “seek and find.” When the snow covers the ground, the squirrels sniff out each hoard and return to their hole in a tree to feast. In the spring, caches that weren’t found can sprout and grow, sometimes producing another food source for the next winter, in this case, some pumpkins. The meter is bouncy, but the verses were clearly written with rhyme rather than meaning or reading ease in mind: “Eeek! A dog! I dash away. / He barks as up I flee. / ‘You can’t catch me from down there,’ / I chirp at him with glee.” Leschnikoff’s colorful digital mixed media illustrations highlight the cartoon narrator’s larger-than-life personality, the squirrel’s every facial expression and posed paw speaking volumes. Backmatter fills out the spare facts given in the text about squirrels’ caching behavior, their sharing and stealing food, and nine different squirrel species found around the world. (This book was reviewed digitally.)

A Saturday-morning-cartoon introduction to squirrels and scatter hoarding. (Picture book. 3-6)

Pub Date: Sept. 5, 2023

ISBN: 9781728235370

Page Count: 40

Publisher: Sourcebooks eXplore

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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