by Sarah Albee ; illustrated by Chris Hsu ‧ RELEASE DATE: Sept. 29, 2026
A cheery glimpse of science in action, warts and all.
A classic case study in how the course of scientific advancement can run anything but smooth.
In the late 19th century, renowned paleontologist Othniel C. Marsh announced the discovery of scattered bones belonging to a sauropod he dubbed “Apatosaurus,” or “deceptive lizard.” At nearly the same time rival bone hunter Edward D. Cope proclaimed a similar find to be fossils of “Brontosaurus,” meaning “thunder lizard.” A later researcher’s determination that both actually belonged to the same genus touched off a century-long controversy, since, as Albee writes, scientific practice gives naming rights to the first finder. So even though “Brontosaurus was catchier,” and went on to become the common name with a “dino-dazzled” public, it fell out of official use. Until 2015, that is, when further discoveries led many researchers to change their minds and announce that the two actually were different dinosaurs. While laying out the bones of the kerfuffle with a fine sense of drama, the author also fleshes out her story with revealing observations about the evolution of our whole understanding of sauropod anatomy. Along the way she gives proper credit to Marsh’s original Sioux informants, as does Hsu in a period scene placed amid views of dinos, fossil bones, and skeletons, and racially diverse groups of modern museum visitors.
A cheery glimpse of science in action, warts and all. (timeline, bibliography, illustrator’s note) (Informational picture book. 7-9)Pub Date: Sept. 29, 2026
ISBN: 9781623546366
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: Aug. 31, 2026
Kirkus Reviews Issue: Oct. 1, 2026
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by Lia Kvatum & photographed by Liya Pokrovskaya ‧ RELEASE DATE: July 10, 2012
An affectionate picture of bears and bear scientists, capped with a page of moon bear facts and an afterword.
Not one but three roly-poly moon bear cubs star in this true animal rescue tale.
Orphaned by poachers, Yasha, joined later by Shum and Shiksha, are nurtured by Pokrovskaya and another scientist for nearly two years on a game preserve until they were ready to be released into the Siberian wild. Taking a slightly anthropomorphized bear’s-eye point of view (“Yasha was happy with his new home”), Kvatum chronicles the cubs’ development as they learn to forage on their own while playing together and learning to climb trees. She also notes how important it is for human observers to remain aloof—minimizing physical contact and even wearing scent-concealing clothing—to prevent the animals from becoming dependent or domesticated. Looking positively fetching in the big, color photos, shaggy Yasha and his ursine cohorts grow visibly as they ramble through woodsy settings, splash in a river and survive an encounter with a prowling tiger before being deemed ready to live on their own.
An affectionate picture of bears and bear scientists, capped with a page of moon bear facts and an afterword. (map, bibliography) (Informational picture book. 7-9)Pub Date: July 10, 2012
ISBN: 978-1-4263-1051-5
Page Count: 32
Publisher: National Geographic
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
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by Tom Adams ; illustrated by Josh Lewis ‧ RELEASE DATE: Sept. 26, 2017
It’s got a few quirky bits, but it’s lackluster overall.
Pop-up dinosaurs, both fossilized and fully fleshed out, join Mesozoic contemporaries in a series of museum displays.
The single-topic spreads are up-to-date but designed to evoke the dusty atmosphere of old-style dinosaur halls (emphasizing this conceit, some are even labeled “Rooms”). They combine cramped blocks of information in smallish type with images of beasts and bones done in a style that resembles the faded naturalism of early-20th-century museum murals—or, in the “Fossil Room,” a desktop covered in paleontological notes with paper clips and coffee stains. Occasional inset spinners and attached booklets supply additional dino details. A tab-activated flipbook attempts to demonstrate tectonic drift, but readers have to go fairly slowly to assimilate it all, which blunts the effect. Amid pale silhouettes representing modern museum visitors, the prehistoric creatures, nearly all of which are small and drably colored, rear up individually or parade along in sedate, motley groups until a closing display and mention of genetic engineering promise a possible future with pet velociraptors.
It’s got a few quirky bits, but it’s lackluster overall. (Informational pop-up picture book. 7-9)Pub Date: Sept. 26, 2017
ISBN: 978-0-7636-9687-0
Page Count: 14
Publisher: Candlewick
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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