An entertaining meta-philosophical romp in which great minds mull over life’s deepest questions.
Navarro offers a fantasy in which famed philosopher Kurt Gödel seeks answers in the afterlife.
The narrative focuses on the “brilliant, eccentric, unsettlingly precise” Gödel, a figure whom the author, in an introduction, compares to Albert Einstein and Charles Darwin and describes as not only a mathematician, but also a “philosopher of mystery” who found new puzzles in settled certainties. “In any system that’s powerful enough to talk about arithmetic,” Navarro writes, “there will always be true statements that the system can never prove.” As a way to pursue these questions further, the author imagines Gödel journeying to a series of afterworld locations to have conversations with a wide variety of famous artists and thinkers from the past. Gödel talks with fellow philosophers, of course, but he also chats with such figures as painter Jackson Pollock (“‘Logic and paint,’ Pollock mused, ‘both dance around the unknown’”) and even Jesus, whom he asks about the incompleteness at the heart of mathematics: “If I left no room for doubt, then there would be no true faith,” Jesus tells him. “Faith must be chosen.” In each encounter, Gödel doggedly inquires about the nature of belief and certainty and looks into the possibility of quantifying morality and doubt. It’s a familiar but inspired storytelling device, and Navarro uses it skillfully, delicately navigating the dramatics of presenting each conversation and his indefatigable main character’s overarching philosophical quest. Socrates, for instance, asks the protagonist whether one can ever fully grasp truth, and readers are told that Gödel “had always admired [mathematician Blaise] Pascal’s mind, not only for his rigorous approach to mathematical truth but for his willingness to engage with the ineffable.” Philosophical discussion dominates the narrative; as a result, some historical figures end up sounding more alike than they likely would have in real life. This slight shortcoming is a result of the book’s pedagogical nature, but it never entirely blunts the fun.
An entertaining meta-philosophical romp in which great minds mull over life’s deepest questions.Pub Date: May 5, 2026
ISBN: 9798891389588
Page Count: 208
Publisher: Amplify Publishing
Review Posted Online: April 16, 2026
Kirkus Reviews Issue: June 1, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A novel that’s lacking both as fiction and history.
The latest Patterson co-write dramatizes unproven rumors that Adolf Hitler shot and killed his 23-year-old half niece, Geli Raubal, in Munich in 1931 in a fit of jealousy.
As with other young women in his past, Hitler essentially kept Raubal captive and forced her to participate in perverse sexual rituals with him. The murder occurs after she tells him she’s leaving Munich for Vienna to be with a man she intends to marry. (Fictional) police detective Thomas Bauer, a war hero whose wife and children are Jewish, risks his life over and over to nail Hitler for the crime (which is ruled a suicide) as the fascist state evolves and concentration camp horrors unfold. Periodically, the action shifts to the present, when in brief superfluous scenes an American professor, Eleanor Robbins, is mysteriously targeted for her efforts to obtain films of Hitler’s final moments with Raubal. The portrayal of Hitler is so caricatured that he casts a thin shadow here—as do the evil trio of Goebbels, Himmler, and Göring—depriving the story of urgency. The authors are more comfortable offsetting sobering, dutifully rolled out facts about Hitler’s rise and fall with breezy entertainment. Bauer, a master of the wisecrack, teams up with a young former intelligence officer in buddy-movie fashion. In one of this overlong novel’s best scenes, Raubal—the subject of much better novels, including Ron Hansen’s Hitler’s Niece (1999)—goes to a nightclub with Hitler; once there, he nudges her into showing off her vocal skills, only to have her ruffle his insecurities by stealing attention. In the end, Robbins pronounces, “Everything that happened…could have been prevented, if honest people had been allowed to simply do their jobs.” Fat chance of that.
A novel that’s lacking both as fiction and history.Pub Date: Sept. 21, 2026
ISBN: 9780316404099
Page Count: 528
Publisher: Little, Brown
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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