An intelligently imagined Dickens prequel.
Frame (The Lantern Bearers, 2001, etc.) writes the story of Catherine Havisham, recluse of Satis House, in this prelude to Charles Dickens' Great Expectations.
Despite her mother’s death in childbirth, the Great Expectations of Miss Havisham come naturally. Her father, owner of a prosperous brewery, spoils her beyond measure. Then, as Catherine matures, he dispatches her to Durley Chase, home of Lady Chadwyck and her children Isabella, William, Marianna and cousin Frederick. The Chadwycks are to add the social polish necessary for Catherine to marry well. There, Catherine has eyes for William but soon learns that titled folk do not marry merchants' daughters. She then meets Charles Compeyson, charming, enigmatic, vaguely roguish. Class prejudices aside, the Chadwycks attempt to dissuade Catherine from Compeyson, but she is enthralled, even ignoring Chadwyck cousin Frederick, thinking him overly religious, awkward and unambitious despite his shy admiration for her. Then her father dies. Catherine allows Compeyson to run the brewery. He soon proposes then leaves her at the altar. Frame’s chapters are short, written from Catherine’s point of view, and laced with elements of classical poetry and song. Aeneas, Tom O’Bedlam and Henry Purcell deepen a narrative appealing to the modern ear yet suitably Dickensian. Subplots follow Sally, a village girl who becomes Catherine’s childhood companion, and Arthur, Catherine’s wastrel half brother. The book ripples with social commentary, an example being Catherine’s attempt to manage the brewery only to be stymied by gender prejudice and her own obstinacy. Finally, she closes the brewery. Catherine then adopts Estella, intending revenge on the masculine world—"all of the genus who conceitedly, smugly supposed that they were indispensable to a woman’s personal completeness, her felicity." Minor characters, Pip included, strengthen the story, and Frame’s presentation of the era is substantial but not overdone. Young Catherine’s character earns little empathy, and any sympathy for the recluse of Satis House certain that "true life is too awesome and terrifying to bear" can only be conjured up as her death looms.
An intelligently imagined Dickens prequel.Pub Date: Nov. 5, 2013
ISBN: 978-1-250-03727-5
Page Count: 368
Publisher: Picador
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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