Conspiratorial theatrics and all-around good fun
“Catastrophe is the soul of the theater” in Donnelly’s middle-grade debut.
Sid is a precocious young white boy from the Florida Panhandle trying to rescue his beloved children’s theater, the Juicebox. He brings his best friend, Folly, an African-American boy who is the type of kid who can “sell sharks to the ocean” and “says wearing a bow tie reminds him of his life’s purpose,” along for the ride. In cahoots with the boys is Juicebox newcomer Jelly Baby, a Cuban-American puppeteer whose real name is Juliana. When Folly’s newest business scheme accidentally lands sensitive documents in their laps, the kids think they have just the ticket to secure the funds the theater needs to stay open. Chapters are written in prose but presented as a script with act and scene designations, a clever choice in theory but that in practice is often confusing, especially when the act and scene order are rebooted awkwardly just as the climax nears. The climax itself is reminiscent of Scooby Doo, as the meddling kids improbably catch the bad guy and manage to save the theater in a foregone but unlikely conclusion that may test even the most credulous readers. Despite this, Sid’s first-person, fourth-wall–breaking narration, full of amusing similes and asides, carries the day.
Conspiratorial theatrics and all-around good fun . (Fiction. 9-12)Pub Date: April 1, 2017
ISBN: 978-1-62370-807-8
Page Count: 256
Publisher: Capstone Young Readers
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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