Ably demonstrates to young readers the value of doing a difficult but important job.
When Tanna’s father brings a lone baby owl to their home, Tanna discovers how much work it is to care for it.
One summer, Father returns from a hunting trip with an abandoned baby owl that needs care. Even though “it’s somehow cute,” Tanna is not impressed, particularly when she has to get up before dawn to catch lemmings for the owl to eat. Inside the house Tanna also has to line the floor with newspapers because Ukpik, as she names the owl, poops often. As time goes by, Ukpik demands more and more food, and Tanna and her siblings grow tired of catching lemmings as it grows and loses its cuteness. When summer ends, Tanna has to go away to school, and although she worries about the unfledged owlet, she is “happy not to get up at 4:00 a.m.” When she returns home the following summer, Tanna is in for a big surprise. The heartwarming text is based on Rachel Qitsualik-Tinsley’s (Inuit-Cree) own childhood experiences, according to an opening note, including a stint in residential schools that is mentioned only glancingly in the story. (Sean Qitsuallik-Tinsley is of Scottish-Mohawk descent.) The backmatter gives readers more information about the authors and includes Inuktitut pronunciation guidance. Kang’s use of a soft, muted palette pairs well with the text to make the story come alive for readers.
Ably demonstrates to young readers the value of doing a difficult but important job. (Picture book. 5-8)Pub Date: Jan. 28, 2020
ISBN: 978-1-77227-250-5
Page Count: 32
Publisher: Inhabit Media
Review Posted Online: Jan. 20, 2020
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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