A Cinderella story with a difference, Becky’s journey to reconcile her inner household drudge and outer princess starts...
Acute, wickedly funny observations on appearance and identity punctuate this sprawling, caustic fairy tale that cheerfully skewers the fashion and film worlds and their celebrity-culture spawn.
Something magical will soon befall checkout clerk Becky Randle, 18, her mother tells her, making Becky promise she’ll say yes to it. After her mother’s death, the mysterious yet ubiquitous designer Tom Kelly flies Becky to New York, proposing to create three dresses for her guaranteed to make her the most beautiful woman on the planet. With, at best, average looks, Becky’s understandably skeptical, but Kelly delivers, and Rebecca is born. Though Rebecca’s gorgeous, confident and smart, Becky stubbornly hangs onto her identity (she sees her glamorous alter ego in mirrors only when others are present). Supermodel Rebecca lands a movie role alongside the star Becky’s crushed on since middle school (veteran screenwriter Rudnick’s film scenes are hilarious). Soon, smitten with Rebecca, the heir to the English throne captures Becky’s heart—but which of her is he in love with? While Becky’s voice and cultural referents are far too sophisticated and mature for a teenager raised in a Missouri trailer park, her fears and hopes are universal.
A Cinderella story with a difference, Becky’s journey to reconcile her inner household drudge and outer princess starts where most fairy tales end. (Fantasy. 14 & up)Pub Date: May 1, 2013
ISBN: 978-0-545-46426-0
Page Count: 320
Publisher: Scholastic
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A classic rags-to-riches romantic comedy with irresistible chemistry and heart.
A surprise inheritance thrusts a small-town Nebraska teen into Manhattan’s elite society—and the orbit of a boy who’s determined to prove she doesn’t belong.
Julia Lowell’s life changes overnight when the 80-something man they know as Lou leaves his fortune to her family instead of his New York City relatives. Lou, who lived in a fishing cabin, was a regular customer of the Lowells’ small grocery store and became a family friend. To inherit, they must live in his Upper West Side home for at least six months, and Julia and her twin brother must attend Gardenwood Academy, a Gossip Girl–esque private school. Julia struggles to navigate her rude, privileged classmates—like Damion Rutledge. Unbeknownst to her, Lou—whose real name was Remington—was Damion’s beloved great-uncle. When a teacher assigns Damion to be Julia’s math tutor, he seizes the opportunity to search Uncle Remi’s house, which he believes is his by right, for evidence of the Lowells’ deceit. But as suspicion gives way to genuine feelings, Julia and Damion, who are cued white, question their assumptions about one another. Painter delivers her signature blend of banter, slow-burn chemistry, and emotionally grounded characters. Told in the leads’ alternating points of view, the familiar enemies-to-lovers setup is complicated by Damion’s secret and Julia’s past heartbreak. While the story follows a predictable path and resolution, the central relationship feels earned and heartfelt.
A classic rags-to-riches romantic comedy with irresistible chemistry and heart. (soundtrack) (Romance. 14-18)Pub Date: Sept. 29, 2026
ISBN: 9798347100217
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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