In some ways timely, this quiet, delicate book delivers a truly timeless emotional punch.
A Mexican-American family in Texas finds their home turned into a way station for immigrants smuggled across the border.
Cásares (Amigoland, 2009, etc.) returns to his hometown of Brownsville for a potent novel about the complexities of immigration and the lies we tell ourselves and our families. Twelve-year-old Orly is from Houston, has light skin, and speaks passable Spanish even though he strongly prefers English and sometimes denies knowing Spanish at all. After his mother’s sudden death, Orly is sent by his dad to spend the summer with his aunt Nina in Brownsville. Unbeknownst to him, Nina has a small, pink casita in her backyard being used by coyotes moving human cargo north. Neither Nina nor Orly quite knows how they got into their situations. Orly’s brother is at camp, his father is in Napa with a new girlfriend, and his mother’s absence is a gaping hole so big he can’t see the other side. Just when Nina thinks she’s rid of the smugglers for good, a young boy named Daniel knocks on her back door in the middle of the night after narrowly escaping Immigration and Customs Enforcement. Nina puts him up in the casita and now has to hide her secret from Orly, her elderly mother, and her bossy brother. As Nina, Orly, and Daniel learn each other’s secrets, the reader is treated to a novel that addresses the complexity of immigration, identity, and assimilation while telling close, intimate stories. The novel is told in a roaming third person that turns each character, no matter how seemingly one-dimensional or minor, into a powerful presence. Each voice in this chorus has something urgent to say. Cásares devotes a page or so of italicized backstory to seemingly minor characters who would drift out of a different novel without a second glance: a raspas vendor, a coyote quickly arrested, a Brownsville police officer, Orly’s English teacher, and many more. Whether it’s the teacher about to be deported, a man who doesn’t concern himself with the fact that his own mother used to be undocumented, or the many people making the dangerous crossing who are beset by tragedy, these asides all reveal the sometimes-hidden yet always profound effects of immigration. Helping us learn the truth about who we are individually and as a society is the ultimate goal of this novel.
In some ways timely, this quiet, delicate book delivers a truly timeless emotional punch.Pub Date: May 21, 2019
ISBN: 978-0-525-65543-5
Page Count: 272
Publisher: Knopf
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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