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THE GATE THIEF

And will the world remain safe for the Aesir? This fun, inventive tale holds the answer.

Card weaves another in a chain of satisfying, teenager-pleasing fantasies.

Ced, familiar to Card fans, is the kind of unpleasant supernatural being who can really drive down real estate values in the Shire—beg pardon, in Rockbridge County, Va. There, as Card’s yarn opens, a young man is doing showoff-ish things, rocketing up a mile into the sky above Buena Vista and plummeting downward, up and down, up and down, on his own steam. These being the days of YouTube, it’ll make the news—but high schooler Danny North, the son of Odin and Gerd and thus one of the junior gods (“Nobody called them gods anymore, but they were still around”), has bigger things in mind. But, Card adds amiably, “Some of the gods...were heading to Parry McCluer High School in order to find Danny North and kill him.” And why? Well, Danny is a gatemage—and if you’ve read Card, you’ll know that a gatemage is definitely something that’ll get a war broiling in heaven. Card’s not content just to call on the Norse pantheon; Egyptians and Greeks and Romans and every other sort of deity and demideity mixes it up here, with some nice results—Danny might be a “defiant little asshole,” in the words of his gym teacher, but that’s nothing compared to one tough chick who is “Clytemnestra and Medea rolled into one.” Card has a grand old time romping around in the fields of comparative religion while letting a feud worthy of the Hatfields and the McCoys unfold, with much tongue-in-cheek humor but a touch of gore, too.

And will the world remain safe for the Aesir? This fun, inventive tale holds the answer.

Pub Date: March 19, 2013

ISBN: 978-0-7653-2658-4

Page Count: 400

Publisher: Tor

Review Posted Online: Feb. 2, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NINTH HOUSE

From the Ninth House series , Vol. 1

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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