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FLORA AND THE FLAMINGO

From the Flora series

Courageous use of white space—several pages contain a solitary waterlily—and a confident animated style are used to good...

Klutzy but endearing Flora (dumpily clad in swimsuit, bathing cap and flippers) and a dancing flamingo are the protagonists of this whimsical, wordless tale, which will have special appeal for budding ballerinas.

Initially playing hard to get, then gradually warming to her overtures, the flamingo literally takes Flora under his wing and teaches her to dance. The story of the evolving camaraderie between this unlikely duo is told with humor and compassion through the use of a delicate flowing line and a limited, subtle color palette (mostly pink). The occasional simple rectangular fold-down flap cleverly allows each character to reveal a quirky new gesture or change of mood when the story demands. Illustrator Idle’s prior experience as a DreamWorks animator is evident in the flowing, musical quality of the illustrations; one can almost hear the 3/4 beat of a waltz in the background. The seamless grace of the flamingo’s dance contrasts humorously with Flora’s faltering steps, but by the end of the story, they swoop, plunge and soar together like old ballet partners.

Courageous use of white space—several pages contain a solitary waterlily—and a confident animated style are used to good effect in this sweet story of a young girl and her unlikely mentor. (Picture book. 3-6)

Pub Date: March 1, 2013

ISBN: 978-1-4521-1006-6

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: Dec. 25, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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