by Mike Reiss ; illustrated by Ashley Spires ‧ RELEASE DATE: July 23, 2019
Humorous and deep
Two eggs find themselves in the same pen in a London zoo, and when they hatch, a turtle and a tortoise emerge.
The turtle and tortoise think of all the fun they’ll have together. “We shall be best friends,” they agree for a quick second, until the turtle dubs them “the Terrible Turtle Twins!” Suddenly, the tortoise is affronted. “I’m not a turtle,” he says, and goes on to explain that “a turtle is a horrid beast with rough skin and a hard shell,” whereas he, the tortoise, is “a handsome creature with a hard shell and rough skin.” The turtle and tortoise decide it would not make sense for them to be friends given their differences, and they spend many years apart and resolutely do not talk to each other. When their lives are (literally) upturned one day, the question arises: Can the turtle and the tortoise overcome their differences to help themselves and each other? Reiss’ subtle wit (which takes ample advantage of tortoise and turtle racing speeds) and Spires’ nearly identical turtle and tortoise highlight the absurdity of what it means to be different. The passage of time is marked by the fashion of passers-by, who grow more diverse with the decades. Although some readers may take exception to the zookeeper’s unexplained assertion that “all tortoises are turtles,” the book’s underlying message of tolerance and acceptance is worth sharing.
Humorous and deep . (Picture book. 4-7)Pub Date: July 23, 2019
ISBN: 978-0-06-074031-3
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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