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WHITE SUGAR, BROWN SUGAR

A bracing tale that will shake the reader.

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Two young men struggle with addiction in Pyle’s historical novel.

The story begins in the 1960s in Daytona Beach, Florida. Jude Armstrong is a white kid from a messed-up middle-class family. His mother has pretty much given herself over to drink and partying; his straightlaced lawyer father has moved out. (Lansing Armstrong is not a bad dad, but he is temperamentally aloof and incapable of connecting with his son.) Jude’s friend Roosevelt Harris is a poor Black kid whose mother turns tricks to feed her habit. The boys’ addictions begin with glue sniffing and pot smoking and quickly ramp up from there. The two have become friends by happenstance, and soon they’re running with other drugged-out teens who are into much more dangerous stuff. At one point, a girl OD’s while they’re bingeing, and the cops catch them, but even that’s not enough to break the grip of the illicit substances. A second drug bust is enough to scare Roosevelt straight, but not Jude, who has to bounce along rock bottom until Roosevelt finally drags him to an A.A. meeting. The real strength of this well-written book is in its descriptions of wild drug orgies (“His brain crackled like the time he’d eaten a spoonful of horseradish. Zoooom. He was going in high speed”) and what it’s like to be a slave to your next fix (or, in the long, drawn-out case of Jude, your next drink). The author deftly catalogs all the excuses that addicts give themselves, the fleeting euphoria that rules their lives, the wallowing in self-pity, the resentment toward those who try to help, and the awful harm that they inflict on those close to them. Lansing and Roosevelt are often close to giving up on Jude, but they stick by him; this is a story of heroic caring and friendship. And yet, the final pages recount a poignant sailing trip during which Jude again faces a diabolical temptation—Pyle’s narrative has the powerful ring of truth.

A bracing tale that will shake the reader.

Pub Date: Oct. 8, 2025

ISBN: 9780985804411

Page Count: 342

Publisher: Armstrong Media Group, LLC

Review Posted Online: Feb. 16, 2026

Kirkus Reviews Issue: May 1, 2026

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  • New York Times Bestseller

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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