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THE NATURAL ORDER

A dystopian thriller with the heft of a philosophy textbook and the heart of a feel-good movie.

A 122-year-old tech billionaire has to save his son from a group of extremists—and from dying of old age.

Paul Whitmore lives a lonely, monastic existence. He’s a supercentenarian thanks to the Method, a protocol he created to usher humanity into a post-aging world. It has brought him incredible wealth as well as enemies who view him as a modern-day Oppenheimer. While his riches have earned him a quiet, intentionally isolated existence, he has outlived his family and finds himself mulling his status as the last of his line. Except that’s not true. His octogenarian son, Max Robinson, is living out his days in a nursing home. He hasn’t spoken to his father since he was a child, and they both seemed content with their separate lives. Then the threats swirling around Paul sweep into Max’s life, and Paul decides he must finally, reluctantly step into the role of father and protect his son. Soon, the two old men find themselves living together in Paul’s compound, grappling with odd family dynamics and fighting the enemies that view his quest to end death as the ultimate crime against humanity. This is a gripping and well-paced story full of philosophical questions and emotional gut punches, which isn’t surprising as Aldrich co-wrote the Disney Pixar film Coco. While this is his debut novel, he has a screenwriter’s skill for momentum, balancing tense action sequences with moments of emotional vulnerability. While there’s a lot of tension built into the plot, the scariest thing about this book is that it seems plausible. That said, while it feels like a portrait of a not-too-distant dystopian future, it’s still a very human story—a tale of family and regret, of two men at what might be the ends of their lives, reflecting on what it would mean to do away with death and still feel like there’s not enough time.

A dystopian thriller with the heft of a philosophy textbook and the heart of a feel-good movie.

Pub Date: Oct. 27, 2026

ISBN: 9781668217399

Page Count: 352

Publisher: Atria

Review Posted Online: Sept. 14, 2026

Kirkus Reviews Issue: Oct. 15, 2026

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THE FRENCH ILLUSION

The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.

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What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.

When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”

The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.

Pub Date: Sept. 29, 2026

ISBN: 9780385550543

Page Count: 352

Publisher: Doubleday

Review Posted Online: Aug. 17, 2026

Kirkus Reviews Issue: Sept. 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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