Readers will enjoy forming their own opinions on who was really the victim here.
The early years of thwarted artist Alma Mahler, a still-controversial woman.
Bourgeois bohemian dilettante? Genius foiled by early-20th-century gender bias and bad romantic decisions? These historical appraisals receive equal airing in Sharratt’s (The Dark Lady’s Mask, 2016, etc.) thought-provoking novel, which takes Alma, nee Schindler, from age 19 to 31. Beautiful and musically gifted, Alma is viewed by her mother and stepfather as ripe for the marriage market: they refuse to allow her to enter a conservatory and only grudgingly agree to her taking counterpoint lessons from composer Alex von Zemlinsky. The two fall in love, appearing to be true soul mates, but her parents won't allow her to marry a Jew. They reverse this position when Alma, at 22, transfers her infatuation to the much older and more successful Jewish composer Gustav Mahler, director of the Viennese Court Opera. Although Mahler’s proposal comes with the condition that Alma forego composing, she marries him anyway. Over the years, as Alma gives birth to two daughters, the marriage founders. Alma regrets the loss of her own creative soul, and Mahler grows increasingly obsessed with work, treating her more as hausfrau than muse. Vienna’s entrenched anti-Semitism drives the couple to New York, where Mahler escapes European critical ridicule to enjoy acclaim and riches, first as principal conductor of the Metropolitan Opera and then of the newly reorganized New York Philharmonic. Their eldest child’s death from diphtheria and Alma’s subsequent miscarriages further strain the relationship, particularly since Mahler seems to blame Alma for these tragedies. Crises mount as Alma takes a rest cure for a nervous breakdown and Mahler is diagnosed with a heart condition. At the sanatorium, Alma meets 27-year-old architect Walter Gropius, and once more she confuses her desire for self-realization with other desires. Sharratt is adept at presenting the internal conflicts that dog her protagonist, with the close third-person narration capturing her often skewed perspective. The known biographical facts suggest that Alma could never reconcile her ambitions with her era’s constraints on women. In Sharratt’s bracing portrayal, though, Alma’s limits seem largely self-imposed.
Readers will enjoy forming their own opinions on who was really the victim here.Pub Date: April 10, 2018
ISBN: 978-0-544-80089-2
Page Count: 400
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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