Picture-book metafiction for the win!
Cutler proves he’s an absolute picture-book baller in this playful title.
The first few pages establish the title’s premise, as an anthropomorphic raccoon and rabbit appear to be suspended by their feet from the top of the page, with a directional sign standing upright at the bottom of the page. After the pair open a box at their feet, the basketball within falls and bounces over to the sign. Next, they drop a banana peel that lands on the ground, too. The characters then deduce what readers will have realized all along. “I THINK WE’RE UPSIDE DOWN!” they declare on the title page, their joint exclamation cleverly doubling as display type for the title. The rabbit soon bravely decides to descend to the bottom of the page, turning upright to stand by the sign. The raccoon, though eager to do the same, remains suspended, batlike, from the top. “‘Could you please give us a hand?’” the rabbit asks, breaking the fourth wall to speak directly to readers, who are then prompted to “turn the book UPSIDE DOWN” at the page turn. Text and art on ensuing pages prompt continual book manipulation to view illustrations right-side up while holding the physical book at varying positions, culminating with a slam-dunk of a visual punchline. Cutler relies on a subdued palette with plenty of white space and color-coded speech bubbles, making for an efficient, clever reading experience.
Picture-book metafiction for the win! (Picture book. 3-8)Pub Date: June 23, 2026
ISBN: 9798217113552
Page Count: 32
Publisher: Putnam
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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