An upbeat work with some good talking points, particularly for schools with kindness and gratitude initiatives.
An alphabet picture book that presents complex ethical concepts in a pleasant format.
In this book intended for readers up to 7 years of age, McGregor explores concepts designed to promote notions related to empathy (the word that represents E). Each page presents a concept in simple and relatable terms in the first person, as in the entry for “Abundance”: “Abundance is knowing there is enough for you and enough for me.” Sosa’s sweet, full-color, cartoonish illustrations feature round-faced, large-eyed children of various skin colors and different abilities (two kids use wheelchairs, including one on the book’s cover). Although some definitions feel simple but complete (“I have compassion when I help someone in need”), others feel imprecise or reductive (“X is for Exhale”; “Diversity is accepting people who are different from me”), and systemic problems go unexamined. The images capture the tone of the text, offering bright, sunny optimism, even on a page that depicts a rainy day. The entries often provide clarifying context for more advanced words and never take a condescending tone. One mention of toys (“Quality is also having good toys that last a long time”), though, seems out of place in a book that otherwise highlights personal relationships and responsibility.
An upbeat work with some good talking points, particularly for schools with kindness and gratitude initiatives.Pub Date: Dec. 9, 2020
ISBN: 978-1-77514-132-7
Page Count: 34
Publisher: Impact Humanity Publishing
Review Posted Online: March 5, 2021
Review Program: Kirkus Indie
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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