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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE SIXTH FACTION

From the New Divergent series , Vol. 1

Both entertaining and well-written; demands and holds readers’ attention.

A duology opener that revisits the world of Divergent (2011).

Beatrice “Tris” Prior is Divergent. But before she can select Dauntless, her Choosing Ceremony is interrupted by a group of factionless rebels, and her good friend is killed. Amid the chaos, Tris sees Evelyn, the wife of Abnegation leader Marcus Eaton—but Evelyn supposedly died years ago. And, shockingly, she’s an Amity woman who’s holding a gun. Tris doesn’t tell anyone, even her father, when he later questions her. Her brother, Caleb, chooses Erudite—the faction that’s most critical toward the Abnegation and their practices—and Tris feels pressured to stay in Abnegation. But when her father tries to erase her memories, she knows she’s unsafe. Tris’ mother helps her escape to the factionless, where Tris meets Four, a Dauntless boy. Their relationship shows her that she was right to leave Abnegation—and that maybe the rebels are correct to want the death of the faction system. As Tris becomes friends with the other “faction failures,” she realizes that no faction is as it seems, and that power is a corrupting influence they can’t escape. This exciting work revisits beloved characters, offering a new understanding of them and of what happens when we stand up and ask questions. Returning fans and those new to this world will appreciate the witty banter, slow-burn romance, and heartache stemming from betrayal and complicated familial love. The leads are cued white.

Both entertaining and well-written; demands and holds readers’ attention. (Dystopian. 13-18)

Pub Date: Oct. 6, 2026

ISBN: 9780063462595

Page Count: 528

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 1, 2026

Kirkus Reviews Issue: Oct. 1, 2026

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