by Kevin Wilson ‧ RELEASE DATE: Jan. 24, 2017
A moving and sincere reflection on what it truly means to become a family.
That infamous village that's needed to raise a child comes to fruition when a brilliant researcher creates a communal parenting experiment.
This is another bittersweet story about messed-up families from the talented Wilson (The Family Fang, 2011, etc.) but one in which the author stays a bit more grounded, keeping an atmosphere of emotional authenticity that rings true. Wilson’s muse is Izzy Poole, a just-graduated high schooler with a particular talent for barbecuing meat, who finds herself in dire straits. She’s pregnant with her emotionally disturbed art teacher’s baby and estranged from her father. After the art teacher commits suicide, Izzy is confronted with a very odd proposal from a researcher with an agenda. At the behest of a retail mogul, Dr. Preston Grind is determined to create a model in which 10 children are raised by a commune of parents, with no child knowing who their biological parents are. We quickly learn that the doctor is actually a hot mess, raised by two famous child psychologists who subjected their child to constant and unexpected stress throughout his upbringing. Grind may have inherited their brilliance but he’s also a cutter with borderline PTSD. Torn between the experiment and raising her son, Cap, alone, Izzy decides to go along with Grind’s complex scheme. “She would make it work,” Wilson writes. “Izzy would find tiny ways to make herself essential, to succeed when it seemed so unlikely. Ten years, that’s what she had. She would mine every essential element out of these ten years and she would be transformed.” The second half of the novel checks in on this “Infinite Family Project” every year or two, as Wilson delves into the drama and tensions inherent in this strange aquarium. Relationships begin to splinter, even as Izzy becomes fundamentally reliant on the group. “We’re a family,” Grind says, near the end. “An imperfect one.”
A moving and sincere reflection on what it truly means to become a family.Pub Date: Jan. 24, 2017
ISBN: 978-0-06-245032-6
Page Count: 352
Publisher: Ecco/HarperCollins
Review Posted Online: Oct. 25, 2016
Kirkus Reviews Issue: Nov. 15, 2016
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by John Steinbeck ‧ RELEASE DATE: Sept. 19, 1952
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
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by John Steinbeck & edited by Robert DeMott
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by John Steinbeck & edited by Susan Shillinglaw & Jackson J. Benson
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