Scribner has done his homework on everything from radicalism to perfumes, but in service to an overly schematic plot.
An East Coast couple grows increasingly entangled in the political and emotional lives of Oregon radicals.
As the third novel by Scribner (The GoodLife, 2000; Miracle Girl, 2003) opens, Scanlon and Naomi are a married couple heading west under a cloud of anxiety. Scanlon is an academic who specializes in anarchist and secessionist movements, but a much-derided journal article has shut him out of teaching jobs at first-tier universities. Naomi, for her part, is worried about her pregnancy and unhappy to be living in a fogbound Oregon college town. But there are upsides: The clean air appears to have revived the acute sense of smell she lost in a car accident, which ended her career as a perfume designer, and Scanlon has plenty of source material for his research. Indeed, as Scanlon becomes increasingly involved in one such movement he’s eventually appointed its leader—which on top of being bad form academically puts him in the awkward company of Sequoia, a tempting Earth goddess type. Naomi, meanwhile, struggles to manage the new baby while growing closer to Clay, a young, brooding and sometimes violent anarchist. Scribner realistically captures the nature of secessionist movements, but he leaves room for humor, usually at Scanlon’s expense: He’s routinely put into humiliating situations with his skeptical department chair or academic colleagues, and sweats over his attraction to Sequoia. And writing about Naomi gives Scribner’s prose an interesting degree of sensual detail; she captures a surprising amount of information through smell. Still, the book feels overwritten, full of dry subplots and scenes packed with needless detail. Eventually, the plot strains credulity: Scanlon’s academic colleagues hardly bat an eye that he’s lost his objectivity in leading the anarchist collective, and the collective is largely oblivious that they’re thesis fodder. The author resolves the many plot threads, but requires a contrived ending to get there.
Scribner has done his homework on everything from radicalism to perfumes, but in service to an overly schematic plot.Pub Date: June 17, 2011
ISBN: 978-0-307-59478-5
Page Count: 352
Publisher: Knopf
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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