Melodrama of the first order, but frightening all the same.
A social worker with a traumatic past goes undercover to save a patient to whom she bears a strange resemblance.
By day, Thea offers art therapy to patients in a New York psychiatric ward; by night, she drinks too much and obsesses about how she was groomed by her pastor as a teenager, and the impact his abuse continues to have on her life. When a catatonic patient is admitted to the ward, Thea is shocked and excited to discover that it’s Catherine O’Brien, star of Stargirl, a movie that sparked a lot of her teenage fantasies, and who could almost be her twin. When Catherine is signed out from the ward by two people pretending to be her parents, Thea decides to follow a few breadcrumbs the former actor seems to have left her—most notably, a podcast recorded by people named Moon and Sol, who run something called the Center for Relational Healing in the New Mexico desert. Thea signs up for retreat at the CRH, and when she arrives, she’s shocked to see Jonah, a guy with whom she’d nearly had a one-night stand back in New York. He says he’s actually a private investigator hired by Catherine’s family to find her. Aligned in their goal, Thea and Jonah sneak around trying to dig into Moon and Sol’s secrets, while still attending the sessions meant to break open their relationship blockages and help them connect to past lives. Clearly, there’s something sinister going on, and when they do find Catherine, their fears are amplified rather than assuaged. Bartz takes her novel, and its characters, to places beyond where other authors stop short; this is a harrowing story that tackles human vulnerability head-on. She shows us how evil actors can take full advantage of people in pain for their own material and psychic gain and how emotionally susceptible people can make tragic decisions.
Melodrama of the first order, but frightening all the same.Pub Date: April 1, 2025
ISBN: 9781982199494
Page Count: 240
Publisher: Emily Bestler/Atria
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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