by Joseph Bruchac ‧ RELEASE DATE: Feb. 1, 2004
Eleven-year-old Howard’s tiny New York town has 1954’s post-war and Cold War concerns, but Howard’s family has more complex scars. A silence surrounding their ancestry involves parental shame and forced ignorance: Howard has no idea what’s going on, only that most questions are forbidden. Physical abuse from his father enforces the tense silence. Uncle Louis, however, shows Howard another kind of silence: strengthening and centered, built around nature, calmness, and listening. Eventually, Uncle Louis tells the secret: they are Abenaki Indians, not whites, closeted because of sterilization laws enacted against Indians in Vermont during those decades. Parallels with Nazi Germany are on target, but Howard’s new knowledge arrives so late that its integration must be instant; also, despite the author’s note’s claim that an abusive person can be made “straight again,” it’s unclear in the text what will happen about the hitting. Worth it, though, for the important subject and Uncle Louis’s solid, rooted depth. (Historical fiction. 9-12)
Pub Date: Feb. 1, 2004
ISBN: 0-439-35358-0
Page Count: 144
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: July 1, 2005
Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)
Pub Date: July 1, 2005
ISBN: 0-689-86683-6
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
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by Andrew Clements ; illustrated by Brian Selznick
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by Lois Lowry ‧ RELEASE DATE: Sept. 29, 2026
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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by Lois Lowry ; illustrated by Jonathan Stroh
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