Maestro Hersey (Fling and Other Stories, 1990, etc.) composes a stately, richly detailed symphony of novel about the creation and fate of a very special Stradivarius violin. In 1699, Antonio Stradivari, severe and superb at 55, glimpses Antonia, a beautiful young widow, as she sways across a piazza in Cremona. A widower who never loved his rapacious first wife, Stradivari is so moved by the sight of Antonia that he bends to his workbench and designs a new violin, one he will name Antonietta. His hand slips once when he hears there may be a snag in his plan to marry Antonia, and even when the marriage contract is signed he leaves the nick in the fretboard as a mark of his great passion. It will become a legendary flaw, and its story will be told (and told wrong) through the centuries. Stradivari knows how especially resonant his Antonietta is, building from the ``trills of something like seduction'' to ``soar on the madness of the wings of love.'' He could never imagine, however, how many hands it will pass through, and how great many hearts its exquisite sound will touchamong them young Mozart, who borrows Antonietta from a concertmaster in Paris. After the concertmaster's death, the violin is stolen by pirates, finally to be recovered and purchased by a brilliant violinist named Baillot. Playing the Stradivari, he becomes an inspiration for the turbulent and original composer Berlioz, who ``burst into tears and went over and kissed the top of Antonietta's case'' when he finishes the last movement of his startling Symphonie fantastique. Antonietta also stirs the complex Russian heart of Stravinsky, in exile in Switzerland. Alas, as of 1990, the sensuous Antonietta has become the property of a tone-deaf, status-obsessed Martha's Vineyard financier. Writing in a multitude of voices and formsletters, narrative, screenplayHersey offers a virtuoso performance.
Pub Date: May 7, 1991
ISBN: 0-679-40194-6
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1991
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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