Next book

EMPTY VESSEL

THE STORY OF THE GLOBAL ECONOMY IN ONE BARGE

A stellar account of a complex offshore world, as seen through the tangled history of a humble barge.

The weight of the world, carried by one lowly barge.

“Anything becomes interesting if you look at it long enough.” Gustave Flaubert’s astute observation applies well to Kumekawa’s fascinating study of what might be perceived as a banal subject not worthy of our attention: a hulking barge. In 2020 the Harvard historian learned that “a simple ninety-four-meter-long flat-bottomed hull” had been moored on New York’s East River in the 1990s. Upon it sat five stories of modified shipping containers—it served as a floating jail. Curious to know more, Kumekawa found that the vessel had a complicated history that reflected, as he writes, “the abstract forces that have transformed our world over the past forty years.” It was built as the Balder Scapa in Sweden in 1979. Owned by a Norwegian tycoon, its first mission was as a transport barge, towed to Scotland with the “madcap idea” of dredging up steel from World War I warships that Germans sank rather than turn over to the British. That venture fizzled, and the barge was repurposed as a “floatel” to house North Sea offshore oil drillers. The Falklands War got in the way of that plan. In need of housing for troops in the South Atlantic, Margaret Thatcher’s government leased the barge in 1983. “Luxurious they were not,” one pilot said of the accommodations. The vessel’s next stop: Germany, for factory workers building the VW Beetle. And then it was off to New York as a jail, followed by time in England serving the same purpose. In 2010 it was towed to Nigeria for offshore oil workers. Throughout his epic telling, Kumekawa weaves in lucid and eye-opening explanations of the murky worlds of tax havens and loose regulations. The barge is at the heart of it all. The vessel has “no motor, no keel, no rudder,” he writes, but his book has undeniable drive.

A stellar account of a complex offshore world, as seen through the tangled history of a humble barge.

Pub Date: May 6, 2025

ISBN: 9780593801475

Page Count: 320

Publisher: Knopf

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 124


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 124


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

Next book

ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Close Quickview