A treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.
A hardy band of big-box retail employees must dig down for their personal courage when ghosts begin stalking them through home furnishings.
You have to give it up for the wave of paranormal novels that have plagued the last decade in literature; at least they’ve made writers up their games when it comes to finding new settings in which to plot their scary moments. That’s the case with this clever little horror story from longtime pop-culture journalist Hendrix (Satan Loves You, 2012, etc.). Set inside a disturbingly familiar Scandinavian furniture superstore in Cleveland called Orsk, the book starts as a Palahniuk-tinged satire about the things we own—the novel is even wrapped in the form of a retail catalog complete with product illustrations. Our main protagonist is Amy, an aimless 24-year-old retail clerk. She and an elderly co-worker, Ruth Anne, are recruited by their anal-retentive boss, Basil (a closet geek), to investigate a series of strange breakages by walking the showroom floor overnight. They quickly uncover two other co-workers, Matt and Trinity, who have stayed in the store to film a reality show called Ghost Bomb in hopes of catching a spirit on tape. It’s cute and quite funny in a Scooby Doo kind of way until they run across Carl, a homeless squatter who's just trying to catch a break. Following an impromptu séance, Carl is possessed by an evil spirit and cuts his own throat. It turns out the Orsk store was built on the remains of a brutal prison called the Cuyahoga Panopticon, and its former warden, Josiah Worth, has returned from the dead to start up operations again. It sounds like an absurd setting for a haunted-house novel, but Hendrix makes it work to the story’s advantage, turning the psychological manipulations and scripted experiences that are inherent to the retail experience into a sinister fight for survival.
Pub Date: Sept. 23, 2014
ISBN: 978-1-59474-526-3
Page Count: 240
Publisher: Quirk Books
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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