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THE BLACK FREIGHTER

A CARIBBEAN SPY THRILLER

A tightly written treat for spy-novel fans.

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In Baker’s (Desert Sanctuary, 2019, etc.) thriller, a spy attempts to thwart a coup in a Caribbean nation.

Posing as a journalist, American secret agent Robert Wilson embarks on an assignment in Grenada. His mission, which he has only one week to accomplish, is to stop a plot to upend the national election and overthrow the government. Wilson doesn’t know who’s behind it, nor how or exactly when it’s supposed to happen. Baker masterfully offers readers a number of possible villains as the twisty plot cast suspicion upon one character after another. High on the list of culprits are the governments of China and Russia, which have separately posted people on the island for reasons that aren’t immediately clear. Then operatives from Venezuela and Cuba get into the mix, and Wilson meets a Venezuelan woman named Tori Vargas. She soon cozies up to him, and the spy can’t decide if she’s really an unwilling pawn of the Venezuelan government, as she claims. Baker deftly increases the time pressure by making each chapter title a consecutive day of the week. Throughout the book, Wilson is fixated on a black freighter, the Shanghai Maiden, moored just a half-mile offshore, which has suspicious-looking containers on its deck. The ship effectively becomes a character all its own, taunting the protagonist to uncover what, if anything, it has to do with the revolutionary plot. Early chapters unwind slowly as Wilson bolsters his cover as a journalist, but from there, the pacing escalates in a breathless manner. Also, everything happens in real time, and only on the island, which makes the suspenseful plot easy to follow. Baker’s fluid, cinematic prose style makes reading the novel feel like watching an entertaining movie—and, indeed, the action seems tailor-made for the big screen.

A tightly written treat for spy-novel fans.

Pub Date: N/A

ISBN: 978-1-949336-14-6

Page Count: 204

Publisher: Other Voices Press

Review Posted Online: Oct. 21, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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