A delightfully illustrated, one-of-a-kind Greenfield creation that will have readers wishing for another.
A day in the life of an aspiring young thespian.
Alaina, a little Black girl with long locs and a missing front tooth, awakens to her mother’s original Alaina-wake-up song. Immediately excited, she can’t wait for the second grade school play, which prompts her to jump up and down on her bed—until a look from Mom says, “stop that right now.” Alaina hurriedly prepares for her day. Though only a kindergartner, Alaina will say the last five words of the play, which she practices as her mom walks her to school through their urban neighborhood. After lunch, Miss Wheeler gathers everyone for the performance, and Alaina recites her lines again for the teacher. During the production, Alaina marvels at how realistically the second graders act out the emotions of their college-age characters. When the play ends, Alaina’s drab lines seem dull in comparison to the fabulous acting…so she improvises. Greenfield portrays a close and loving relationship between this Black mother and daughter—but one in which Alaina understands her boundaries and tests them but ultimately honors them. Bootman’s full-color, double-page illustrations, a bit hazily dreamlike and done with broad swaths of bold, bright colors, immerse readers in this child’s home and school life while highlighting Alaina’s excited face, mischief, and all-in personality.
A delightfully illustrated, one-of-a-kind Greenfield creation that will have readers wishing for another. (Picture book. 4-7)Pub Date: May 10, 2021
ISBN: 978-1-7336865-2-5
Page Count: 32
Publisher: Alazar Press
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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