One of a kind. Deserves a big splash and lots of readers.
An international art star becomes a dog walker after 25 harsh years in federal prison.
This funny, edgy, and winning novel introduces an extraordinary narrator who reveals her back story slowly and tantalizingly, so spoilers must be avoided here. Her name is Carleen Kepper, but it used to be Ester Rosenthal. It was changed by the woman who admitted her into the prison system to serve her life sentence because “They’ll kill you within a day and a half for crucifying their Lord.” For reasons that will be revealed, Carleen has been paroled and is living in a halfway house in New York City. She works as a dog walker and trainer, an occupation at which she is uniquely gifted. She is also trying to gain access to her 11-year-old daughter, a precocious girl who has changed her name from Pony to Batya Shulamite and is preparing for her bat mitzvah. How can she have a child that age if she was in prison since she was 18? Can’t tell you. What can be said is that Ester Rosenthal was an art prodigy who made the cover of the New York Times Magazine at the age of 12 and whose paintings sell for more than $100,000, and it is kleptomania and prankery that got way out of hand that led to her incarceration. Among many great things about this book, each of its many dogs practically leaps off the page. Carleen on black standard poodles: “They demand constant, unequivocal love and will leap into your lap as if they were toy versions of themselves and are insulted when ordered to get off. They learn their commands instantly, but not because they are particularly smart. They’re more like teenage boys who joined the army too soon and will do any discipline just to prove they can do it.” Swados (My Depression: A Picture Book, 2005, etc.), a respected playwright, died at 64 just after finishing this novel.
One of a kind. Deserves a big splash and lots of readers.Pub Date: June 14, 2016
ISBN: 978-1-55861-921-0
Page Count: 392
Publisher: Feminist Press
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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