All the bucolic pacifism of an episode of Prairie Home Companion without the seething undercurrents.
The denizens of Mason, Missouri, are at it again, dispensing just deserts with unearned optimism on the side.
The premise for this book, a sequel to two other novels set in Mason (Night of Miracles, 2018; The Story of Arthur Truluv, 2017), is the Confession Club, a group of mostly middle-aged women who meet regularly at each other’s homes to exchange secrets over wine and treats. For the most part, though, the Confession Club operates independently and irrelevantly of the novel’s main concern—the ongoing sagas of the late Arthur Truluv’s surviving friends. Iris, baking teacher extraordinaire, is about to turn 50, and 20-something Maddy has just returned from New York City with her 7-year-old daughter, Nola, leaving her new husband behind. A major character is introduced: John, a 66-year-old, handsome, homeless Vietnam vet, has made his way from Chicago to Mason, taking up residence in an abandoned farmhouse. Berg does not delve deeply into either the details of John’s homeless existence or his Vietnam combat experience. However, the competence and resourcefulness John displays as a homeless person are strangely at odds with his PTSD. This contradiction might give readers pause, since PTSD (for which he refused counseling) led to John's wife’s departure, which resulted in his homelessness. Iris is immediately attracted to John, albeit leery of him—and it’s unclear how leery she should be. The Confession Club seems to exist mostly to explore themes like infidelity, loneliness, independence, and longing, which are too generic to relate to the principal players’ predicaments. As usual, Mason is a refuge unruffled by the country’s political turmoil, and conflict, if any, is mostly avoided before it can generate any excitement. Some readers may wish to return to Mason again and again, to relax with the literary equivalent of well-worn slippers, a glass of wine, and no wellness diets in sight. But readers seeking insight into modern American life, leavened with humor, might be better challenged by Richard Russo or Anne Tyler.
All the bucolic pacifism of an episode of Prairie Home Companion without the seething undercurrents.Pub Date: Nov. 19, 2019
ISBN: 978-1-984855-17-6
Page Count: 304
Publisher: Random House
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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