This book has more romance and less satiric bite than the author's best comic novels (The Family Man, 2009, etc.).
Lipman’s latest is a post–financial-crash comedy about a 50-ish widow and her divorced sister living together in a Greenwich Village apartment.
After the heart-attack death of her beloved husband, Gwen-Laura accepts her older sister Margot’s invitation to move into Margot’s penthouse both for companionship and to save money. Margo’s ex, fertility doctor Charles, is in jail for behavior that was both scandalously illegal and adulterous. Margo, who made the unfortunate mistake of investing her divorce settlement with scam artist Bernie Madoff, is now not only divorced, but broke. Margo is a drama queen with a blog devoted to anti-Madoff resentment. Gwen-Laura is a bit of a retiring mouse who doesn’t acknowledge her potential sex appeal. (Their bossy younger sister Betsy is still married, employed and financially solvent.) Soon, the sisters move in an unrelated, not exactly appropriate roommate: former Lehman Brother employee Anthony, who is not only gay, but in his 20s. Fueled by liquor and the wonderful cupcakes Anthony bakes, the three are having a lovely time together when Charles, newly sprung from prison, moves into a studio apartment in the same building and starts a campaign to win back Margot that includes introducing everyone to his newly discovered 19-year-old son, Chaz, the result of his fertility hanky-panky. Will Margot drop her new blog boyfriend, screen named HardUp, for narcissistic but maybe self-improving Charles? Will Gwen-Laura ever meet a decent man once she grudgingly enters the world of Internet dating? Will Anthony meet a decent man too? The answers are not terribly surprising, but Lipman is more interested in the jokes than the characters, taking a sitcom approach. Although the author throws in plenty of contemporary social details, Gwen-Laura and Margot feel dated, closer to the world of Auntie Mame than Girls and without the edge of either.
This book has more romance and less satiric bite than the author's best comic novels (The Family Man, 2009, etc.).Pub Date: April 16, 2013
ISBN: 978-0-547-57621-3
Page Count: 272
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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