This portrait of the artist as a young flip-flop salesman will inspire, amuse, and empower its audience.
The coming-of-age of a queer Latinx Floridian, part two.
“I was the person who got expelled from high school, who mopped up lube at the sex club, and somehow I’d stumbled into this alternate universe where I was also the person who lived with his boyfriend in New York (albeit in a fake room), had a book soon-to-be out, and an inbox full of journalists asking me about my ‘process.’” In a follow-up to his much-awarded debut memoir of growing up gay between Florida and Nicaragua, High-Risk Homosexual, Gomez gives a book-length answer to the question of his process. Though his 30-something years may seem few for two memoirs, this time he tells the story largely in terms of work: a meticulously evoked and darkly comic series of jobs in bars, restaurants, retail (readers may find the Flip Flop Shop taking up a permanent, coconut-scented place in their minds), and, briefly, sex work. Through it all, he clung ferociously to the idea that he was a writer. “‘People like you get to make art too!’ I'd hype myself up in the shower.” His fierce love for his mother, a beloved barista at the airport Starbucks, again shines through the pages, and in a section that will mean a lot to aspiring memoirists, he recalls how the joy of his first publication was laced with terror that she would read the book, whose evolution he hid from her. He continues to contend with the legacy of the Pulse nightclub massacre, with homophobia, and with racism, but he also comes to a heartening conclusion: “In fact, it was a privilege to be gay.…It was because of my queerness that I was able to see how the paths set out for me weren’t enough, pushing me to leave home in search of more.”
This portrait of the artist as a young flip-flop salesman will inspire, amuse, and empower its audience.Pub Date: Feb. 11, 2025
ISBN: 9780593728543
Page Count: 256
Publisher: Crown
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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