Provocative and beautifully told—a breakout novel for Maine.
Maine’s superb third novel continues his sly examination of the Old Testament, this time delineating the story of Samson and Dalila.
The Preservationist (2004) and Fallen (2005) stand as far more than jaunty, modern retellings (of Noah and the Ark and Adam and Eve, respectively), and this tale, too, offers a dark, thought-provoking account of the Bible’s great warrior and judge. As Samson begins his narrative, he is already imprisoned by the Philistines, blind and chained, his hair shorn and his strength gone. All he has left is his tale, and this he spreads out before the reader in all its bloody, bawdy glory. At Samson’s birth (foretold by an angel who issues the vital warning that he must never drink wine, touch a dead body or cut his hair), the newborn sits up between his mother’s legs and crushes a rock in his tiny fist. His size and strength are Herculean, and he has been sent by God to deliver his people from heathens. Samson, not the wisest of fellows, takes these words literally, killing Philistines and Canaanites, razing their crops and villages, wreaking murderous havoc whenever his God (though more often he himself) has been dishonored. The central episodes of the novel come directly from the Bible—he tears apart a lion with his bare hands (frightening his parents with his violence), kills 30 men at his wedding feast because of a riddle gone wrong, kills thousands with the jawbone of an ass in a slaughter that leaves him knee-deep in body parts. Then there’s sexy Dalila, a warrior of another kind, to whom Samson loses his power and heart. Maine contemporizes these mythic tales and questions the kind of zealot who delights in killing for God, the kind of man who denies humanity to his victims. Samson speaks of the strange buzzing he hears when he kills so righteously and the speed and strength given to him by God to murder. It is chilling indeed when the line between hero and serial killer is blurred.
Provocative and beautifully told—a breakout novel for Maine.Pub Date: Nov. 1, 2006
ISBN: 0-312-35339-1
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
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