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FABLE

A wonderfully odd thriller that should delight anyone who has ever been bullied.

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In this fantasy, a teen’s attempts to pull his life together become complicated by the return of his supposedly imaginary—and murderous—childhood friend.

Neil Karp is a senior at Hawthorne High in Birch Creek, Michigan. After his father undergoes treatment for lung cancer, Neil decides to quit smoking. This worries his pot-loving friends Matt and Sam, especially the latter, who’s committed to the stoner life of driving a van and all but abandoned school for video games. When Sam buys a round of drugs from a nightclub dealer rather than local bully Russel “Shit Storm” Staubach, life becomes hellish for Neil and his friends. Staubach sells drugs from stock provided by 19-year-old Jason Noakes, whose family runs Birch Creek’s gangs. During a confrontation, Neil defends Sam by pushing Staubach against Noakes’ Pontiac Firebird Trans Am. Neil and company narrowly escape in the van and now must watch their backs for retaliation. The best part of Neil’s life is Lindsey McGuire, a cute violinist he’s finally found the courage to talk to. As he continues the high-wire act of dodging Noakes and courting Lindsey, Neil notices a strange presence on the periphery of his life. At a skate park one evening, he sees a dancing shape on a nearby rooftop. This is Frogmore, a tweed coat–wearing, talking frog whom Neil knew five years ago. Frogmore appeared when bullies attacked Neil at Rawlins Pond. The ostensibly imaginary friend killed the bullies, prompting Neil to take medication to heal from the trauma. Now Frogmore is back, just when Neil and his friends need protection.

James offers a fun, psychedelic thriller that’s steeped in classic rock and teen melodrama and styled after Stephen King’s Christine and Carrie. Fans may be surprised the story is set in the present. Many genuine, grounded moments revolve around 1980s cultural touchstones, as when Lindsey plays Van Halen’s “Ain’t Talking ’Bout Love” for Neil on her violin. The novel’s antagonists toss homophobic slurs around readily—making them retro and repulsive. James rounds out most of the cast well enough for the audience to worry when Frogmore starts killing people. Sam becomes exceptionally real to readers when he admits that he smokes because “I can’t turn my brain off.” Even Noakes garners sympathy as someone with a choice between continuing a violent life and buckling down to become a car mechanic. Frogmore, meanwhile, is a tantalizing plot element from the get-go. His mysterious origin spools out carefully, threading around a subplot involving a drug chemist named Hansen “Doctor Crankenstein” Hurst, who wants to “smash through this rigid bowl of reality” placed over humanity. Frogmore explains, “My kind” are travelers, “visiting different worlds on invisible safari,” which implies hunting. The creature does indeed toy with people, making certain deaths seem accidental while implicating Neil and even growing jealous of the teen’s human friends. The author’s descriptive prose delivers a gory finale in which more than one victim is murdered by the frog’s “muscular cable-like tongue.” Hurst’s incredible drug, called Fable, burns up and blows across town in the finale, revealing the potential for a sequel.

A wonderfully odd thriller that should delight anyone who has ever been bullied.

Pub Date: Feb. 20, 2021

ISBN: 979-8-71-192925-3

Page Count: 264

Publisher: Self

Review Posted Online: March 24, 2021

Kirkus Reviews Issue: May 15, 2021

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THE DARK MIRROR

From the Bone Season series , Vol. 5

Though it falters a bit under its own weight, this series still has plenty of fight left.

In this long-awaited fifth installment of Shannon’s Bone Season series, the threat to the clairvoyant community spreads like a plague across Europe.

After extending her fight against the Republic of Scion to Paris, Paige Mahoney, leader of London’s clairvoyant underworld and a spy for the resistance movement, finds herself further outside her comfort zone when she wakes up in a foreign place with no recollection of getting there. More disturbing than her last definitive memory, in which her ally-turned-lover Arcturus seems to betray her, is that her dreamscape—the very soul of her clairvoyance—has been altered, as if there’s a veil shrouding both her memories and abilities. Paige manages to escape and learns she’s been missing and presumed dead for six months. Even more shocking is that she’s somehow outside of Scion’s borders, in the free world where clairvoyants are accepted citizens. She gets in touch with other resistance fighters and journeys to Italy to reconnect with the Domino Programme intelligence network. In stark contrast to the potential of life in the free world is the reality that Scion continues to stretch its influence, with Norway recently falling and Italy a likely next target. Paige is enlisted to discover how Scion is bending free-world political leaders to its will, but before Paige can commit to her mission, she has her own mystery to solve: Where in the world is Arcturus? Paige’s loyalty to Arcturus is tested as she decides how much to trust in their connection and how much information to reveal to the Domino Programme about the Rephaite—the race of immortals from the Netherworld, Arcturus’ people—and their connection to the founding of Scion, as well as the presence of clairvoyant abilities on Earth. While the book is impressively multilayered, the matter-of-fact way in which details from the past are sprinkled throughout will have readers constantly flipping to the glossary. As the series’ scope and the implications of the war against Scion expand, Shannon’s narrative style reads more action-thriller than fantasy. Paige’s powers as a dreamwalker are rarely used here, but when clairvoyance is at play, the story shines.

Though it falters a bit under its own weight, this series still has plenty of fight left.

Pub Date: Feb. 25, 2025

ISBN: 9781639733965

Page Count: 576

Publisher: Bloomsbury

Review Posted Online: Dec. 12, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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