In some remote pockets of Arizona, the postman wears a cowboy hat and leads a mule train. The front endpaper illustration traces the mail route through the Grand Canyon. At the South Rim of the Canyon, boxes of mail are transferred from a Postal Service truck to the saddlepacks of Anthony the postman’s six mules. He rides a horse and has an eager dog to help guide him along the zigzagging trail, full of sharp switchbacks. A succession of double-page spreads that need to be turned 90 degrees for proper viewing emphasizes the steep descent of the route. Deep mud, ice and flash floods make the trail treacherous, but never prevent Anthony from completing his route, which is narrated in a simple, concrete present tense. At length, the mule train reaches its destination, the village of Supai, tucked into a green valley, where Anthony unloads the mail and—because Supai is also Anthony’s home—his family greets him. Brown’s illustrations, in pastel and colored pencil, look appropriately sun-washed. Informative as well as evocative, and told with crisp clarity. (author’s note) (Informational picture book. 5-8)
Pub Date: July 1, 2009
ISBN: 978-1-58089-187-5
Page Count: 36
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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