Some will miss seeing Santa in a traditional red suit (fur or not), but Library Mouse fans will enjoy this peripheral...
This interpretation of the classic Christmas story includes a few twists, such as a mouse family in the main roles, a human Santa dressed as a lumberjack, and some minor updates to the text.
Kirk is well-known for his Library Mouse series, and here he uses that expertise to create a believable mouse character and a cozy mouse house decorated for Christmas. Father Mouse wears a red nightshirt and cap, and he narrates the story just as a human father would. Santa wears a red cap with earflaps, a red buffalo plaid jacket, and tall brown boots. The text states that he was dressed “like a woodsman” rather than “all in fur.” The verse with Santa smoking his pipe is eliminated in this version, and a few lines of the traditional text are updated here and there, with “yummy treats” instead of sugarplums and no mention of “laying his finger aside of his nose.” An author’s note details the reasons for the textual changes and also explains that the mouse narrator is the father of Sam, the main character in the Library Mouse series. Clues to this relationship can be found in the illustrations, such as Sam’s stocking hanging by the fireplace in the mouse house. The illustrations are attractively composed, with textural highlights and speckles of snow in dark blue skies.
Some will miss seeing Santa in a traditional red suit (fur or not), but Library Mouse fans will enjoy this peripheral extension of the series. (Picture book. 3-6)Pub Date: Oct. 27, 2015
ISBN: 978-14197-1233-3
Page Count: 32
Publisher: Abrams
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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