by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 25, 2011
Engaging, with strokes of brilliance.
Fourteen award-winning authors craft stories to accompany the captioned pictures from Van Allsburg’s 1984 enigma, The Mysteries of Harris Burdick.
That title contained 14 exquisitely rendered pencil drawings, purportedly deposited with an editor by their self-ascribed creator. Promising to return with companion texts, Burdick disappeared instead, leaving a generation of readers to puzzle over the incongruous illustrations. United only by the sense of macabre disequilibrium permeating each illustration, this volume’s stories vary in approach and effectiveness. Jules Feiffer delivers a clever but self-aggrandizing fable about a picture book author/illustrator whose increasingly mad attachment to his characters signals his demise. Jon Scieszka’s intentionally clichéd “Under the Rug” seems shallow and dashed-off compared to deeply imagined pieces like M.T. Anderson’s twitchily metaphysical “Just Desert.” Kate DiCamillo’s adroit epistolary tale, set on the World War II home front, uses the image of an escaping wallpaper bird as the touchstone for a traumatized girl’s breakthrough beyond silence and fear. Cory Doctorow’s time-space ramble centers on four adventuring children, ignoring that the accompanying drawing depicts the travelers as two children, a thick-set woman and a derby-hatted man. Linda Sue Park’s “The Harp” deftly directs charming characters in parallel plots to a meshed, triply happy ending, and Lois Lowry dazzles with a sophisticated meditation on “The Seven Chairs,” wherein mid-century Catholicism bows beneath the archetypal (and, perhaps, renascent) rise of women.
Engaging, with strokes of brilliance. (new and original introductions, author bios) (Fiction. 8-13)Pub Date: Oct. 25, 2011
ISBN: 978-0547548104
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: April 19, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Chris Van Allsburg ; illustrated by Chris Van Allsburg
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by Jan Eldredge ‧ RELEASE DATE: Sept. 5, 2023
A deeply imaginative journey that puts the “cat” in cathartic.
A loyal black kitten’s boy is under supernatural attack.
Eleven-month-old Nimbus loves Fletcher, the boy who nursed her back to health following life-threatening injuries. When Fletcher becomes curious about a strange jar and opens it, releasing a terrible goblin, loyal Nim protects Fletcher, taking heavy damage in the process. But Fletcher’s aunt, who’s caring for him over spring break, believes Nim attacked Fletcher and dumps her far from home. Rhett, a stylish rat with star quality, befriends injured Nim and leads her to a witch’s house. While the witch cares for Nim, the witch’s cats (maternal Fern, bookish Rochester, standoffish Bianca, and openly hostile Abraxas) teach Nim important cat skills. She also discovers she has a supernatural ability: In destroying one eye of the nightmare demon in the fight to protect Fletcher, Nim gained its “dream sight.” But she also learns it might come back for Fletcher, who no longer has Nim to protect him, posing a time-sensitive, high-stakes threat. Even though the witch’s home is nice and magic itself seems to be telling her to stay put, Nim wants to find a way back to Fletcher. As a hero, Nimbus is as gritty and determined as she is adorable. Tear-jerker moments explore pet abandonment—readers may want their own pets on hand to hug—all the way through the magical, action-packed finale. Fletcher and the witch read white.
A deeply imaginative journey that puts the “cat” in cathartic. (Fantasy. 8-12)Pub Date: Sept. 5, 2023
ISBN: 9780062680372
Page Count: 336
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Jan Eldredge ; illustrated by Joseph Kuefler
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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